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Sharpie Paint Marker Extra-fine Black
$2.45
Oil-based Paint Marker from Sharpie, the leader in permanent markers. This opaque paint and xylene-free paint pigment is fade and water resistant. The valve-action marker is designed to keep paint free flowing. Works great on a variety of surfaces including fabric, metal, glass and rubber. Quick drying, low odor, and non-toxic….
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New York Yankees Navy Blue-Black Fade Reusable Tote Bag
$2.99
Tote your groceries in eco-friendly MLB style with this Yankees reusable shopping tote featuring a color-changing ombre fade for stand-out style!Reusable bagTeam logo and colorsHigh gloss finishTwo carry handlesLocker loopApproximately 15″ x 13″ x 7″Warm hand wash onlyImportedAll new materials92% Non-woven polypropylene fabric/8% Oriented polypropylene filmOfficially licensed MLB product…
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Back to Black
$9.87
Amy Winehouse’s second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she’s taken her inspiration from some of the classic 1960′s girl groups like the Supremes and the Shangri-Las, a sound particularly suited to…
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Ride the Lightning
$13.13
Don’t let that classical-guitar-ish opening to “Fight Fire with Fire” fool you–Ride the Lightning packs a heavy-metal wallop. While not as ambitious as the subsequent Master of Puppets, this early Metallica album is indubitably one of their best. Thematically, it explores death and dying from myriad points of view: nuclear war (“Fight Fire with Fire”), electric-chair execution (the title track), …
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The Bends
$5.36
While Radiohead saw its stock rising in 1994, it wasn’t until 1995′s The Bends that it really became a blue chip band. And for good reason. The quintet honed its talent for bombastic Brit Rock, yet still preserved an edge of unpredictability. Even singles like the title track didn’t give in to the kind of swooning guitar clichés usually embraced by commercial radio. If the CD proved anything, it …
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Fade to Black [VHS]
$14.99
“I’m Jarret. Cody Jarret, understand?!” snarls Dennis Christopher (Breaking Away) in his best James Cagney. OK, he’s no Rich Little, but as the movie-mad social misfit Eric Binford he makes a convincing media-saturated Norman Bates, and for a while his geeky fumblings and wounded vulnerability keep the film on track. He is a gofer for a B-movie studio, constantly bullied by his tough-guy coworker …
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Fade to Black [VHS]
$29.95
“I’m Jarret. Cody Jarret, understand?!” snarls Dennis Christopher (Breaking Away) in his best James Cagney. OK, he’s no Rich Little, but as the movie-mad social misfit Eric Binford he makes a convincing media-saturated Norman Bates, and for a while his geeky fumblings and wounded vulnerability keep the film on track. He is a gofer for a B-movie studio, constantly bullied by his tough-guy coworker …
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Is it Better to Burn Out than to Fade Away?
When Neil Young wrote the song ‘Hey Hey, My My’ in 1978, he would have had no idea of the implications that one of the lyrics would have on music and society. Spoken in full only in the acoustic version of the song, Young states the infamous citation that still resonates today – ‘it’s better to burn out than to fade away’.
The song proved to be a favourite of a young lead singer of a Seattle-based rock band called Nirvana. When Nirvana became a global phenomenon and the young front-man struggled to cope with his new-found celebrity status, Kurt Cobain committed suicide and left a harrowing note with the last line saying ‘it’s better to burn out than to fade away’.
The phrase would become allegorical of Cobain’s suicide and his memory would be preserved with him at the peak of his career in terms of success and popularity. It is through this reference that the line has become synonymous with the careers of musicians and used to highlight the deterioration of a formerly excellent artist into a mediocre performer.
In the film High Fidelity, Jack Black’s character quotes the famous Neil Young line when a customer attempts to purchase the latest Stevie Wonder song ‘I Just Called To Say I Love You’. Stevie Wonder almost epitomises the concept of the artist fading away as he enjoyed critical acclaim, before seemingly sacrificing this for commercial success.
Wonder’s peak occurred during the early to mid 1970s with classic recordings including ‘Superstition’ and ‘Higher Ground’ that helped elevate him to a celebrated 20th century artist. However, as the 1980s approached Wonder began to record more pop-influenced tunes with sentimental lyrics including the sugar-coated ‘Happy Birthday’ and ‘I Just Called To Say I Love You’.
As Black’s character questions in High Fidelity “is it in fact unfair to criticize a formerly great artist for his latter day sins, is it better to burn out or fade away?”. This is certainly personal choice as however much one dislikes Wonder’s latter works, we must remember the influence that he has made upon modern music.
In direct contrast to the example of Stevie Wonder, who has continued to make music throughout his extensive career, there are many examples of artists that have burnt out in their prime. Four of those that have died, all at the age of 27 include Jimi Hendrix, Jim Morrison, Janis Joplin and Kurt Cobain. These musicians’ careers were cut short when they were still in their prime and so it begs the question – would they have continued to produce outstanding or would they have deteriorated until they became guests on reality television?
It would be uncomfortable viewing, with all that has happened with the post-Cobain Nirvana euphoria to imagine him as one of the celebrity guests on the loosely termed ‘rock’ episode of American Idol. In committing suicide, sadly, Cobain has cemented his place in rock history as the frontman of one of the most influential bands of the last thirty years.
At the time of Jim Morrison’s death, The Doors had recorded L.A. Woman (released in May of 1971) to reinforce the band’s position as one of the most important rock bands of the time. Following the recording of the album, Morrison moved to Paris where he would die on the 3rd of July 1971. L.A. Woman would go on to sell massively worldwide, The Doors’ most popular record since their debut album.
Following Morrison’s death, The Doors continued to perform and produced two more albums with vocals shared between two of the original band members. Inevitably, the albums sold considerably less than those released with Morrison and The Doors disbanded. If Morrison hadn’t gone to Paris and The Doors had continued making music, the albums would certainly have varied but what would have been Morrison’s musical fate.
There are many examples of musicians that have continued to make successful, well-received music long after their expected shelf-life has expired. David Bowie, despite some criticism, has continued to perform to a high standard while Madonna has grown from a young pop starlet to global superstar.
The common trait that is shared by those artists that maintain their position is one of progression and evolution. Artists that continue producing the same music for years will inevitably become dated and eventually fade away into obscurity. Maybe it is just a question of choice, and so I too will burn out as my article is at its peak.
About the Author
Patrick is an expert Research and Travel consultant. His current interest is in Heathrow Parking, Hilton Heathrow and Luton Airport Hotels.
